In a bid to avoid climate vote, Oregon Republican Senators cross state lines, go into hiding, threaten to murder cops, as white nationalist paramilitaries pledge armed support
Oregon’s legislature is about to vote on a piece of climate change
cap-and-trade legislation that the Democratic majority are likely to
win, so to avoid the vote, 12 Oregon state senators have gone into
hiding, thus depriving the senate of the necessary quorum.Under state law, the governor – also a Democrat – is entitled to
dispatch state troopers to drag lawmakers back to Salem for a vote, and
to levy fines on lawmakers who don’t show up for work. Governor Kate
Brown has fined the absent senators $500 each and asked the troopers to
locate and return them.Meanwhile, the AWOL Republicans are widely believed to be hiding out of
state – the Oregon state cops are coordinating with neighboring states’
law enforcement to locate them – and Republican State Senator Brian
Boquist issued this communique from his undisclosed bunker: “Send
bachelors and come heavily armed. I’m not going to be a political
prisoner.”The situation has attracted the attention of armed white nationalist paramilitary groups like the 3%ers and Oath Keepers;
Paul Luhrs of the 3%ers announced that the group’s leadership had voted
to support the Republican Senators (Luhrs believes that they are in
Idaho) and has “vowed to provide security, transportation and
refuge…doing whatever it takes to keep these Senators safe.”Oregon was home to a protracted armed standoff involving a group of white nationalist domestic terrorists who illegally occupied the Malheur wildlife refuge.
The terrorists destroyed public lands, pointed guns at cops and
threatened to shoot them, and were involved in high-speed chases, and were not convicted because they are white.Oregon’s Republican lawmkers went into hiding in May for four days to avoid a vote on a school funding bill. Oregon Senate Republican leader Herman Baertschiger Jr bemoaned the fact that the minority Republicans are being “bullied by the majority party.”
Dame Archer kicks McDougal’s Scots ass there in the rain at the Washington Midsummer Renaissance Faire – August 11, 2018 – Photo by Douglas Herring
😮
Oh NO.
me, a sheltered noblewoman: Pray who is that brave knight?
Dame Archer:*turns around*
me: gasp! *instantly in love*
my bi heart………
I’VE NEVER SEEN THE ADDED PICS
Yall have a kettle?? I make my tea in the microwave lmao
YOU HEATHEN
LIKE HOW DO YOU GET THE PROPER TEMPERATURE MY GOD
This is the Chaotic Evil of making tea
I was born and raised in KANSAS and even I know that tea is made with a fuCKING KETTLE!
I can’t even imagine how that must taste.. *shudders*
Like sadness, I imagine.
I make my tea in the coffee pot
Natalie.
Natalie.
why
She’s a chaos being in the flesh of a human and cannot be stopped. Chaotic Chaotic.
Here’s my suggestion on the alignment chart of tea making
Hmm. Good. True Neutral is heating water in a pan on a stove, I’d say.
Where are we putting “I have a Bunsen Burner and will take every available opportunity to use it” and “Leaves water on top of the dangerously hot radiator i should probably have repaired”?
I live in Las Vegas and will occasionally leave water in a glass bottle in the car while at work, and then drop a tea bag into it after work. Hot tea for the drive home.
@systlin look at this abomination!
(I love you, Drake, but this is an absolute abomination)
I hence suggest that the coffee put is a chaotic good – it’s perfectly okay, but weird – so we have more room for the evils.
Heating water on the stove can be neutral good – it’s perfectly valid, after all,
just buying it from the shop is a true neutral
I suppose my snobbery of a fancy electric teakettle with detailed temperature controls could qualify as chaotic neutral because it allows me to make and break my own tea rules
WAH this is COMPLICATED
WHAT IN THE WHOLE SHIT but I gotta hand it to you, this is both an excellent condemnation of living in Nevada and top grade Chaotic all in one
Huh..I guess you won’t like this then
what in the fuck
I can’t tell if this is madness or genius
“There needn’t be a war! We can save everyone!”
“The point is not to avoid the war. The point is to win it.”
Alright settle in kids, I’m about to go film production geek (as always) and rave about how much I LOVE EYE LIGHT. So I’m a huge classic movie fan and one of my favorite parts of old movies is the way they lit their subjects. A common thing on single shots (especially with leading stars) was to highlight the faces and eyes with soft light which gave the stars a twinkle in their eyes and an angelic glow.
This is the scene that made me fall in love with Michael Sheen. Hanging on a close up of him showcased the immense talent and emotion Michael brought to Aziraphale. He conveyed so many micro emotions and wow be still my heart. But it was the the LIGHT REFLECTED in his eyes and his glow against the darker background that absolutely sold it to me. Like that setup portrayed him as a literal angel to me and I just gotta say I LOVE EYE LIGHT.
Gabz breaks down the cinematography of Good Omens (part 1/?):
Alright, so I won’t be going in order while I do this, I’m just going to start with the way Heaven is shot.
I’ve seen posts on here and Twitter criticizing the direction and cinematography of the Heaven scenes, so I’m stepping in to back Douglas Mackinnon (the Director) and Gavin Finney (the DP) on their choices.
People think it feels weird, out of place, and uncomfortable. Well guess what? That’s the point.
First, those extreme low angle shots are reminiscent of what Orson Welles did with Citizen Kane, so immediate praise is required. But what they represent is a position of power, an elevated position, which makes sense because this is the land of the angels and they literally live and work above everything.
The shot size and lens choice work together to reflect the inner emotional state of Aziraphale. While Heaven is an open and bright space, Aziraphale is under constant anxiety and uncomfort while he is there. It’s like he cannot breathe, it’s claustrophobic.
Gavin Finney used a wide angle lens to distort the features of the subject and make the viewer feel uncomfortable as the faces fill almost the entire screen. He also used close ups to emphasize that anxiety and binding Aziraphale feels talking to his boss. We feel uncomfortable because Aziraphale is uncomfortable. The faces filling the frame give us anxiety because Aziraphale has anxiety and feels constricted in a literal infinitely vast space.
If the interactions in Heaven felt awkward or strange on screen to you, then Douglas and Gavin did their job well. It’s brilliant technique on their part and shows a mastery of using the camera to reflect the emotion and thoughts of a character. Seriously, cheers to Douglas and Gavin! I got made respect for them.
I’m sorry but the things Michael Sheen does with his eyes are utterly obscene. Giving Crowley the Gay Once Over? The way he oh-so-slightly turns his body towards him and then turns away? He’s looking at him like a Victorian lady who has just found a handsome and rakish highwayman crawling through her window and she’s nominally protesting just to protect her honour. Aziraphale you fucking tease. I know I’ve said this before but he’s literally eyeing him up like a fucking crepe. This is peak NSFW. I should not be seeing this before the watershed.
The way he says “Oh, good Lord,” as if it’s Crowley who’s done something obscene (which, yes, he is sprawled out in black and scarlet like a late 18th century pinup) but it’s 1000% Aziraphale’s thirsty brain that sees his demon and immediately goes to carnal thoughts. If he was pure of mind he would’ve just been like, ah yes, there he is, but instead he’s flustered and blushing and chiding Crowley in an “oh behave!” sort of way, when really it’s him who needs to get ahold of himself. Crowley’s literally just said how awful humans are and all Aziraphale can think is “oh fuck he looks so hot, I was not prepared, I need a moment but also let me scope that out one more time” 👀