Tag: Good Omens

gingersnapwolves:

anaid-queen:

pulsingvoid:

listen i love that good omens gave god a female voice and used they/she pronouns don’t get me wrong but that’s been DONE before. you know what they did that hasn’t been done before? they gave us UNSEXY, ROTTING, FEMALE-PRESENTING DEMONS. none of that cw sexualized femme fatale bullshit! positively ODIOUS and FESTERING beelzebub and dagon, weird mutations on their faces and flies circling their heads, sitting around in hell and looking NASTIER than hell. FINALLY SOME GOOD FUСKING CHARACTER DESIGN

#also the female presenting angels!!#like michael and uriel they weren’t sexualized either#no ‘hot chick in a suit’ bullshit #i mean#i still want them to rail me because i’m dyke but what i’m saying is#the way they presented themselves was neither heteronormative NOR appealing to the straight male gaze#which is SUCH a breath of fresh air on television these days#basically demons were like “what’s your gender” “trash” while angels were like “what’s your gender” “capitalism”#and that was very sexy of neilman #very sexy indeed 

@two-nipples-maybe-more these tags are BRILLIANT don’t hide them!!

the two genders of trash and capitalism I’m dying

greenbergsays:

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I love how this nerd has just been double-crossed, is facing inconvenient discorporation and the threat of paperwork! and he’s more worried about the fact that Crowley has changed/added to his name again

Also

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With similar priorities, Crowley is more worried that Aziraphale might not like his name than the fact that 1) he’s on consecrated ground, 2) there’s a gun pointed at them, and 3) he knows a bomb is about to be dropped on their heads

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And still in the middle of this situation, Aziraphale rushes to assure him that that’s not what he said! He’ll get used to it! 

Don’t worry, my dear, I was just surprised! I hadn’t heard that you changed your name!

angels-dining-at-the-ritz:

Inconsequential But Important™
Things About Book Crowley And Aziraphale That Didn’t Make It Into The Show

-At one point, Crowley eats a slice of angel cake (and Aziraphale takes some)

-Aziraphale, all the time, calls Crowley ‘my dear’

-Crowley’s favourite show is Golden Girls

-Aziraphale’s shop is on such valuable property that mafia members sometimes come and threaten to burn down the place if he doesn’t sell it. They always go away. They never come back.

-Crowley has a Soul Music selection. With “real Soul music”, so without any James Brown. He keeps that collection in alphabetical order.

-Aziraphale hates actually selling his books and goes out of his way to avoid having to do it. He owns, by the way, a large Oscar Wilde first edition collection.

-Crowley loves sleeping. At one point he slept through an entire century

-Aziraphale’s tax reports are so accurate the authorities thought he was forging them/hiding something

-Crowley got a recommendation for the Spanish Inquisition after hanging out in Spanish cantinas at that time (instead of sending a memo, claiming it as his idea). After checking it out, he got drunk for a week.

-Aziraphale was known for helping with public proofreading and translations for book printers – one time he most likely used an opportunity to write himself into one “infamous” bible; the passage is the basis for the show’s scene of God asking Aziraphale about his sword

-Crowley made Manchester

-Aziraphale thinks dolphins are fish instead of mammals.

thebibliosphere:

hiridraws:

goodvibesgoodomens:

crowleyraejepsen:

crowley, dressed in little shorts and glitter on his way to the big june parade: pride is a SIN aziraphale, this is for WORK

aziraphale, putting on a nice rainbow bowtie to go join him: well it is a festival for love after all…

i couldn’t help myself

it’s one of Those Shirts because those shirts are awful and also hilarious and crowley probably invented them

[id: a sketch of crowley and aziraphale. crowley has one elbow propped on aziraphale’s shoulder and he’s facing away from the camera, glancing over his shoulder. he’s wearing one of those tank tops with armpit holes that go down to the ribcage that says BE GAY DO CRIMES on the back, and booty shorts that say PRIDE. he is covered in glitter. aziraphale is primly adjusting a rainbow bowtie and looking fondly at crowley. end id]

Listen I know I just reblogged the text post version but listen, this is HIGH ART

forineffablereasons:

crowley after six thousand years has all this patience and all this ‘your pace, angel’ about him and he never says but it’s not out of his own self-preservation vis-a-vis the mortifying ordeal of being known (tho it is vis-a-vis his safety from hell, which we’ve seen he’s willing to risk for aziraphale’s sake – that’s another post). he does it for aziraphale’s. crowley is ready to be known, but he knows that aziraphale – with his faith, with his loyalties to heaven – isn’t ready to know. 

in a sense, crowley keeping quiet about the specifics of his feelings for aziraphale is another protective move in a long line of protective moves. crowley’s silence protects aziraphale’s status quo with regards to right and wrong v Right and Wrong as heaven denotes it, and instead crowley allows aziraphale the time and space to work up to challenging it himself. crowley lets aziraphale do it himself, he lets aziraphale come to those conclusions himself. and aziraphale does do this work! just very slowly. he agrees to the arrangement. he understands that he and crowley are in something that both heaven and hell would disapprove of. he doesn’t want crowley to be able to destroy himself, and then he decides he trusts crowley enough to not destroy himself (thereby leaving aziraphale behind). he gets involved in the raising-warlock scheme and doesn’t disclose every part of it to heaven. he goes slow – crowley sees that. 

crowley allows him that. if the world weren’t ending, crowley would’ve waited even longer. but aziraphale is still clinging to heaven – he hasn’t given up on that blind faith. he still wants heaven to be good. he’s giving heaven every chance to prove itself as good so he doesn’t have to upset that status quo.  

which is why it all blows up when crowley says he wants them to run off together. crowley can’t give aziraphale any more time; there is no more time. crowley submits himself to the mortifying ordeal of being known in a last desperate attempt to get the reward of being loved, but aziraphale isn’t ready to realign his worldview yet. he isn’t ready to acknowledge all the things about heaven and about crowley that must be true for what crowley is saying to be true. aziraphale is in fact flat out startled, and because he isn’t ready, he lashes out and rejects it. and actually, aziraphale in a very real sense has already betrayed crowley – he knows where the antichrist is and he’s already told heaven, and he’s lied to crowley about it. even though aziraphale wants heaven to do the same thing crowley wants – which is to stop the antichrist and the coming armageddon – he is keeping crowley out of it. he’s already put all his eggs in heaven’s basket, and then crowley shows up and submits himself, wholly and completely, to the mortifying ordeal of being known, and aziraphale basically goes, what the fuck what the fuck what the fuck what am I supposed to do with that. it’s no mistake that crowley’s unforgivability v aziraphale’s holiness is a part of the arc in this conversation – aziraphale is thinking about it, and crowley is deliberately telling him, you know me better than to define me by that. but how can crowley be right over heaven? only if heaven is wrong. aziraphale can’t let go of that, not yet.

 and for the first time really, crowley is storming away: he’s submitted himself, and aziraphale hasn’t known him. he’s rejected him.

but crowley doesn’t give up. he comes back: he submits again to the mortifying ordeal. aziraphale is listening to him. this is so important. aziraphale isn’t rejecting him easily the second time. he tries to tell crowley – he tries to let crowley into his plan now, but it comes down to asking crowley to trust heaven, and crowley knows better. the conversation about crowley’s forgivability comes back, and aziraphale is telling him that even if heaven won’t, i will, and that’s what matters between them right then. but it isn’t until aziraphale comes to the conclusions about heaven on his own in his conversation with the metatron that he fully understands what crowley was really telling him, and he understands. when aziraphale goes to the bar, he understands everything crowley is telling him, everything crowley has told him, and when he says “I’m sorry to hear that” in response to “I lost my best friend,” it’s what it says on the tin!! he’s sorry!! he didn’t trust crowley and he should have!! he’s sorry for the rejection he’s sorry he didn’t understand he’s sorry he betrayed crowley he’s sorry he let crowley leave. 

and then he asks crowley for help. this isn’t a skip by the apologies they need – this is direct action apology. aziraphale undoes his betrayal. he came to tell crowley where the antichrist is. he came to tell crowley how to stop him. they are back on plan-anti-antichrist. actually crowley says, “i’m not going there,” but he’s going to go where aziraphale is, and they both know it. aziraphale is saying, i believe you. i understand you. i know you. but there’s one more step for them before they achieve the reward of being loved: they have to save the world, or it will all be over. aziraphale doesn’t actually need crowley in order to do this, but he wants him there. this is aziraphale’s alpha centauri, but we don’t just save ourselves. we’re better than that. we save everyone. and crowley says, tell me where to go. 

at that point, there’s no longer any question that they’re going to do whatever they have to, and they’re going to do it together.